The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron aluminum ribbons: one passive (VR-1, $799), the other with active electronics (VR-2, $1,199). The VR2 appears slightly noisier because it has its own preamp stage, whereas the self‑noise figure for the VR1 doesn't include any noise contribution from the preamplifier to which it will be connected — and which will need to be operated at a higher gain than if a VR2 were connected. The mic is compact but feels hefty, and the rectangular design gives your eyeball clear angle lines when setting up the microphone. © 2020 Pro Sound News is part of Future plc, an international media group and leading digital publisher. sE Electronics Voodoo VR2 Ribbon Microphone. On a drum kit in both hi-hat and ride-cymbal positions, each two feet from source, my tests found the VR-1 required approximately 20 dB more gain than the VR-2 in similar SPL positions. Visit our corporate site at www.futureplc.com. At the January NAMM... Mike Castoro at Wunder Audio released his take on the Neumann U 67 early this year with the Wunder CM67, a multi- patterned tube condenser mic optimized for capturing vocals. The front and back grills have holes drilled into the flat metal faces revealing the same mesh screens as on the sides. Reasonably priced with a “zero downtime/ free replacement” warranty (within three years of purchase), the Voodoos are worthy competitors in today’s ribbon mic resurgence. In all cases, the VR2 was easy to get sounding great and really helped all the different drum tracks. Their mic preamps, summing amps, and control room... LA120 Small-Diaphragm Condenser Mic & Capsules Pair, Jim Williams: Behind the Gear with Audio Upgrades, Restoring the "Holy Grail of Compressors": Behind the Scenes at the Vintage King Tech Shop, From WWII Planes to Stax Consoles: Behind the Gear with Bill Cheney & the History of Spectra Sonics, Rich Williams: Behind the Gear with Burl Audio. The VR2 is an ‘active’ version of the VR1, which is the more traditional ‘passive’ ribbon design. Positioning the mics was a simple matter of getting the two rectangular tops to meet in a perfect X, and we had a fantastic stereo drum overhead that really brought out the cymbals as you would want overheads to do. Audio-Technica manufacturers gear that’s consistently high in quality and relatively... Let me start this rant of a review by saying that endeavors like this one warm my recording heart. The sE Electronics Voodoo ribbon microphones are “small form factor” transducers, easy to place, due to their smaller-thanaverage size, as well as a very versatile shockmount. During a recent session for an album we were producing with singer/songwriter Adrian Brannan, we got a chance to try out the SE Electronics Voodoo VR2 for the first time as the acoustic guitar mic, and it was quite the eye opener. We got a hold of Andy Hong and found out if they had been reviewed, and we set about getting a pair.Jonathan Pines of SE was of course an engineer, musician, and drummer himself, so we hit it off pretty quickly once we spoke on the phone and through email. Both mics handled the high SPL well, exhibiting no audible distortion. Everyone who heard the mics in the respective sessions was pleased with the mic’s natural sound and how you did not need to treat it in the mix. Both models exhibited extended low-frequency response, largely flat midrange response, highend response extended to just below typical condenser microphone levels and the normal transient compression generally found in ribbon microphones. Both Voodoos exhibit the useful combination of an extended “condenser – like” top end, but with the substantial bottom- end response and compres sed transients of traditional ribbons. He's the owner of Audio Upgrades,... Vintage King co-founder Michael Nehra shares some of his love, knowledge, and practical advice for diving into the world of vintage audio gear, and then takes us behind the scenes for a walk through... Bill Cheney and Jim Romney are the men responsible for keeping the amazing legacy of Spectra Sonics, a legendary, if criminally unheralded, pro-audio company alive. sE Electronicsseelectronics.com Fingerprint Audio (U.S. distributor)fingerprintaudio.com. I took them up to Scottsdale Community College for my Saturday Recording 2 class and got to use them as drum overheads in the music department’s really funky ‘70s band room, which has the greatest recording acoustics. Great for a variety of sources, ribbon mics offer a smooth and different colour to your recordings. The first thing I noticed... We’ve published many reviews of Audio-Technica microphones in Tape Op — for good reason. This was achieved using state of the art transformers and a Rupert … The sE Electronics Voodoo VR-1 and VR-2 are pressuregradient ribbon microphones with 2-micron aluminum ribbons: one passive (VR-1, $799), the other with active electronics (VR-2, $1,199). Published: July 25, 2011. We have used many mics in that room — Neumann KM 184, Mojave MA-100 ( Tape Op #62), Coles 4038 (#15), Royer SF-12 (#25) — and all have worked well. still discovering and testing SD mics and expect to do so on an ongoing basis -probably for the rest... Shure's new SM27 replaces the KSM27 (the "Dixie Chicks mic"), but it isn't just a clone with a new color and new name. The VR2s were definitely something new though. The sE Electronics Voodoo VR-2 Active Ribbon Microphone marks a new era for ribbon mic technology – until now the only ribbon mic in the world to perform across 20 Hz - 20 kHz was the sE/Rupert Neve collaboration, the RNR1, critically acclaimed as the best Ribbon mic in the world. The other day, I took a ribbon microphone made in Salt Lake City, UT by a pro audio manufacturer born and raised in Russia to a downtown Austin, TX recording studio owned and operated by a musician... Sterling Audio teamed up with legendary engineer/producer Allen Sides of Ocean Way Recording to create an affordable go-to FET condenser mic, the Sterling ST6050. The small-diaphragm condenser category is, like all mic types, a crowded one; and these days, finding something special or unique is probably not going to happen. By Rob Tavaglione Jul 25, 2011. This could be due to the 20 Hz to 20 kHz response the ribbon produces, or it could be due to the re-engineering and design SE has incorporated since working with Rupert Neve on the RNR1. To begin with, I was skeptical of the brand as I had limited experience with their products. ($999 street; www.seelectronics.com)–Craig Schumacher . 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