–Stacey Anderson, Listen: Dave Van Ronk: “Hang Me, Oh Hang Me”, David Van Rock performs and explains “Stackalee”, Surrealistic Pillow is to San Francisco what The Velvet Underground & Nico is to New York: an iconic album that captures a city’s sound circa the Summer of Love. avg. Derbyshire dips into the weird, particularly, and her work would prove invaluable to generations of electronic experimentalists who followed her, including Aphex Twin and the Chemical Brothers. –Cameron Cook, In 1963, Donald Byrd, already a leading light of bebop as a trumpeter and bandleader, set out to make what he called “an entire album of spiritual-like pieces.” The result was A New Perspective, a sort of symphony in five movements that incorporated blues, doo-wop, and even opera into its more conspicuous hard bop and liturgical influences. True or not, the songs are definitely gems. Pink Floyd and Hawkwind are obvious touchstones, though Amon Düül II felt distinct from much of the prog in the UK or U.S., their music unprissy and shot through with a primal weirdness. Produced by John McLaughlin and performed by the Mahavishnu Orchestra, "The Inner Mounting Flame" was one of the biggest smash hits of 1971's jazz-rock craze, the band's first studio album after years touring together. Robert Silva is an electronics and audiophile hobbyist who writes about entertainment technology and films for more than 20 years. score: 28 of 115 (24%) required scores: 1, 7, 17, 27, 47 list stats leaders vote Vote print comments. Joined by several other talented collaborators, they soar to the furthest reaches of Hill’s ever-shifting compositions, offering a fearless moment in a tumultuous era for jazz. Weather Report was a jazz fusion band in the 70s and 80s who took America by storm with their self-titled debut album that featured a Czech bassist, Austrian-born keyboard player, and American saxophonist. The Soft Machine unites psych-rock frenzy with modern-jazz improvisation, a refreshingly new idea at the time, and the joyful medley kicked off by opener “Hope for Happiness” still breathes with discovery. Though Surfer Girl contains “Catch a Wave,” “Little Deuce Coupe,” and other songs about the Californian myth, two moments emerge as more searching masterpieces. Opener “Myself When I Am Real” was largely made up on the spot, a shapeshifting ballad that doubles as a spiritual portrait of Mingus’ own creativity. Surrealistic Pillow finds the band compiling their cornerstones of crunchy psychedelia, languid blues, and freewheeling jamming—but this time, they have Grace Slick, a femme fatale alto with the fury of a valkyrie. Discovering this massive era and their artists, it's been sort of interesting and close to embarrasing to find out exactly how much your 80s and 90s heroes copied the past. –Alex Linhardt, Experimental bands are always awarded points for making fragmented albums that actually hold together. He became the spiritual forefather for the outlaw country movement, and later for indie singers like Bill Callahan and Will Oldham. So instead of a zeitgeist multimedia experience, this follow-up to The Kinks Are the Village Green Preservation Society became the band’s second great, quintessentially English concept album in as many years. Set to music written primarily by Bowie during the Station to Station sessions, Pop’s lyrics are often reflective and sentimental—“Dum Dum Boys” pines for his Stooges bandmates, while “Tiny Girls” and “Mass Production” lament stupid love—and when they’re not, they’re bitter and scathingly sarcastic (“Nightclubbing,” “Funtime”). Instead, it pays tribute to the sanctuary of the childhood bedroom, a place where Brian and his brothers could escape their abusive father/manager, Murry Wilson, and sing together in peace. 3. If you must know what John Bonham's thunderous drums are like, cover your head in cement and run into a tsunami. That's the case with these classic country rock albums from the '60s and '70s. Holed up in his Topanga Canyon home writing a soundtrack for a never-made Dean Stockwell–scripted film, Young invited his friends to join him on alien-abduction ballads, preachy Skynyrd-provoking jams, and lovesick nocturnal country-blues. If Horatio Alger was a ridiculous longshot in the United States, imagine the odds for someone coming from a Jamaican slum. Ad Choices. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20). The syrupy pedal-steel of "Whatcha Gonna Do" just gets thicker as the song goes along. Michael Nesmith gained fame as one of The Monkees before launching an impressive country-rock run. But the more low-key aspects of Aerial Ballet reflect the soft rock that would become increasingly popular in the next few years. Thanks to the success of Surfin’ USA and “Surf City,” a No. One is the title track, a sleepy love ballad and a sincere expression of longing that portrays the ocean as a delicate place where “love could grow.” And “In My Room” moves even deeper into Wilson’s vulnerability, with nary a mention of romance. Graffiti proves that not only was Zeppelin powerful enough to sustain a double-album; they were powerful enough to sustain every metal band that came after them. The 10 Greatest Albums Of The '60s And '70s. The record’s haunted soul still speaks to artists like Blood Orange’s Dev Hynes, who sampled “Myself When I Am Real” to introduce his own profound and personal treatise on being black in America, Freetown Sound. "Little Red Rider" and "Calico Girlfriend" are easily some of the most infectious country-rock tunes ever to hit magnetic tape. –Thea Ballard, A documentary on the founding and impact of the BBC Radiophonic Workshop, According to the chorus of Willie Nelson and Waylon Jenning’s song “Luckenbach, Texas (Back to the Basics of Love),” the Holy Trinity of country music includes Willie himself, Hank Williams, and the somewhat lesser-known Mickey Newbury. For a record that kicks off with seven songs about sobbing, I’ll Cry If I Want To maintains an impressively consistent, candied sweetness throughout; produced by Quincy Jones, the album epitomizes the sound of early-1960s girl-group pop, airtight in structure as it soars, dreamy-eyed, through tales of young love and loss. © 2018 Condé Nast. You might have the Hola VPN extension installed. At a young age, he was mentored on the instrument by the quick-fingered jazz titan Art Tatum, and this album of originals, reinterpretations, and spontaneous performances adds another dimension to his staggering talent. Truth, beauty, liberty—it’s all here. The Idiot presents what is probably Iggy Pop’s darkest release, and rightfully so, given the period of his life during which it was recorded. –Brandon Stosuy, Listen: Throbbing Gristle: “Hot on the Heels of Love”. Not so for Mr. Young, who was just hitting his stride as the decade turned over, kicking off a run of 11 great albums in 10 years with After the Gold Rush. But it’s arguably the most essential. CN Entertainment. –Rob Mitchum, Listen: Neil Young: “After the Gold Rush”. You can’t quite call Link Wray’s debut album his signature effort, since his first and most famous garage-rock single, “Rumble,” isn’t on it. Dylan said the change came from quitting smoking. Although the members didn't meet the same kind of success as the previous group, they had plenty more longevity, recording until the '90s. Michael Nesmith - 'Magnetic South' (1970), The Byrds - 'Sweetheart of the Rodeo' (1968), The Flying Burrito Brothers - 'The Gilded Palace of Sin' (1969), New Riders of the Purple Sage - 'New Riders of the Purple Sage' (1971), Commander Cody and His Lost Planet Airmen - 'Tales from the Ozone' (1975), A List of History's Best Country Gospel Songs, 5 Famous Sons of Country Music's Biggest Stars. And outside the sexed-up dance-of-death hooks—“Hot on the Heels of Love” should by now be a matrimonial favorite—songsmiths without a compelling raison d’être would do themselves well to mainline as much William S. Burroughs, Marquis de Sade, Aleister Crowley, Fluxism, and Vienna Actionism as this smarty-pants quartet. Unlike so many of his sun-dazed contemporaries, Young had the right kind of eyes to see the high-water mark, and After the Gold Rush is the departure point on his essential decade-long journey away from the fallout of the 1960s. Meanwhile, the soul number "You Don't Miss Your Water" and Bob Dylan's surreal "You Ain't Goin' Nowhere" sound like they've had a drink at the local honky-tonk. The 20-year-old gypsy also conscripted future Led Zeppelin members Jimmy Page and John Paul Jones as session men on the title track, which soared to No. Though these pieces were designed for functional use in broadcast programming, taken together, they present a view of the strange, brilliant sonic terrain being forged at the Workshop. Then comes the anachronistic kang of electric guitar, the strident trumpet, and wooden flute; you can feel the dirt from the graveyard and smell Clint Eastwood’s cigar.

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