Is this a typical sentiment? I probably dont need the 122 at this point in my life but I was curious so I thought I'd throw the question out there. The R-121 had ever so slightly more detail in the midrange., however. The only thing necessary for the triumph of evil is that good men do nothing. This version packs the same impressive output and flexibility as the original R-122, with the addition of a 15dB pad and a bass roll-off switch. These characteristics make the R-122 MKll an exceptional choice for drum overheads, many acoustic instruments, percussion, strings, piano, standup bass and vocals. Just to clarify, it's phantom powered because it has a FET preamp in it, where as the 121 only uses a transformer to convert the signal to a usable level. the Gearslut motto of "just listen" comes to mind, Pictures Of Mic'ed Up Drum Kits In The Studio, Question for Lyn Fuston and others about AEA R84 and Royer R-122. Internal amp circuitry in 122 seems to limit the headroom in my experience. i thought the only difference was the 122 used phantom power and had higher gain. I have a lot more experience with the R121 than the R122; that said, I really don't think they sound terribly different when used with a good preamp. Wednesday Im going to try the Chandler Germanium with the Royer and compare it to the great river. That might be a amp knob tweak, a preamp tweak, a position tweak, etc. Hey there! The 121 is NOT phantom powered so it's gain is lower and it's frequency response is not quite as pushed in the mids. They sound the same except you can get more gain with the 122's. They were SO CLOSE. in the end, i find the mics rather different, not similar ... well for now thats pretty much out of the question, Topic: royer 121 vs 122  (Read 4484 times). I'm curious. Thanks for your replies! Depends on the mic pre... the 121 will sound different with different mic pre's [due to loading issues] and the 122 will sound about the same. I presume its just splitting hairs at this point. The 122 seems to be a bit more "focused" on the top and bottom, the 121 seems a bit wider with some pre's and larger with others. But it would be an easy thing to tweak the R101 track to sound the same as the 121. The R-122 MKll is similar to the R-121, but the faster transient response and larger size of the MKll's audio transformer translates into more open highs and a tighter, more focused low end response. But I was thinking how Id love to use lots of other pres with the royer and am worried that it might have a bit of trouble on acoustic and quiter instruments if I'm not using the greatriver. I worry anyway, so I added an RPQ to the equation and now, at least, there's an obvious solution for the r84's and 121's on a quiet source. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. When you buy products through links across our site, we may earn an affiliate commission. I have had both. I own a pair of Royer 122's - has anyone here compared the 121's to the 122's - just curious if there are any notable sound differences between the two, thanks. The R-121 redefined ribbon microphones so completely that Recording Magazine wrote: … Anyone please chime in if you are generally in agreement with this or not.. The Greatrivers have tons of gain and impedence switch so they should be fine. Now you can record even the loudest sound sources without worrying about overload and distortion. The 122 seems to be a bit more "focused" on the top and bottom, the 121 seems a bit wider with some pre's and larger with others. You can also pick up 3D Audio's Ribbon Roundup CD. A 121 and 122 follow each other during the recordings for comparison. I have a pair of 121s and have been checking into the 122s, 121 is a little darker than the 122... it seems many prefer the 121 on guitar cabs while other instruments on the 122 (sax, clarinet, etc.). I just bought a 121 and can switch it up for the 122 with the extra amount but if I can get close enough that it doesnt matter then I dont really care. Ive been researching a lot of ribbon micing techniques and noticed that the royer 121 seems to always be on guitar cabinets but as soon as we move towards anything from brass to acoustic guitar to piano the 122 suddenly seems to be used. ps The RPQ's phantom-less channel also works wonders on Tube mics. Thanks. (ps The RPQ's phantom-less channel also works wonders on Tube mics). I auditioned them side by side for a couple of days in my studio with a bunch of nice pre's, and our Symphony's engineer. If you can't compare hands on check out the Royer demo CD it's free. 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